Sans Superellipse Umda 3 is a bold, wide, monoline, upright, tall x-height font.
Keywords: headlines, logos, gaming, sports branding, posters, techy, futuristic, industrial, sporty, geometric, display impact, modernization, tech aesthetic, modular consistency, logo friendliness, squared, rounded corners, compact counters, stencil-like, angular joins.
A geometric sans built from squared, superelliptic forms with generously rounded outer corners and largely uniform stroke weight. Curves resolve into straight segments and flat terminals, producing boxy bowls and compact, rectangular counters in letters like O, D, P, and R. Diagonals and joins are crisp and mechanical, with distinctive V-shaped constructions in letters such as V, W, X, and Y, while several glyphs (notably S and 2) show segmented, almost cut-in shapes that read as deliberately engineered. Spacing and proportions favor broad silhouettes and a high x-height, keeping lowercase forms sturdy and highly legible at display sizes.
Best suited to headlines, branding marks, and short bursts of text where its geometric character can read clearly—such as gaming and esports graphics, sports identities, tech product branding, UI titles, and poster typography. It can also work for labels and packaging that benefit from a clean, engineered look, though its strong styling is most effective at larger sizes.
The overall tone is modern and synthetic, suggesting interface typography, sci‑fi styling, and engineered hardware aesthetics. Its rounded-rectangle geometry feels friendly enough to avoid harshness, but the squared bowls and sharp interior angles keep it assertive and technical.
The design appears intended to translate rounded-rectangle geometry into an assertive display sans, balancing soft outer corners with squared bowls and angular joins for a contemporary, tech-forward voice. Its consistent construction across caps, lowercase, and numerals prioritizes a cohesive, modular system that remains readable while signaling a distinctive, futuristic identity.
The numerals follow the same rounded-rectangle construction, with a square-ish zero and flat, modular strokes across the set. The lowercase maintains the same geometric discipline, with single-storey a and g and a compact, utilitarian rhythm that emphasizes clarity over calligraphic nuance.