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Free for Commercial Use

Distressed Rakas 2 is a very bold, wide, high contrast, upright, normal x-height font visually similar to 'Astoria Sans' by Alan Meeks and 'JAF Domus Titling' by Just Another Foundry (names referenced only for comparison).

Keywords: posters, headlines, packaging, logos, merch, playful, rugged, bold, retro, handmade, impact, vintage print, handmade feel, playfulness, texture, chunky, rounded, textured, sturdy, soft corners.


Free for commercial use
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A chunky, rounded display face with compact counters and simplified, almost monoline construction that reads like heavy stamped lettering. Strokes are thick and softly irregular, with scuffed interior texture and slightly rough edges that mimic worn ink or distressed printing. The proportions are broad and friendly, with squat uppercase forms and a cohesive, low-detail rhythm across the alphabet; terminals tend to be blunt and softly squared. Numerals and lowercase share the same heavy, informal structure, keeping the texture consistent across sizes.

Best suited to short, high-impact text where texture can be appreciated: posters, headline treatments, brand marks, product packaging, and merchandise graphics. It also works well for playful event promos or retro-inspired layouts where a sturdy, worn print look is desirable.

The overall tone is playful and approachable, but with a gritty, printed patina that suggests posters, packaging, or vintage ephemera. It feels energetic and handmade rather than precise, balancing friendliness with a rugged, street-level toughness.

The design appears intended to deliver maximum presence with a friendly, rounded silhouette, while adding a distressed surface to evoke imperfect printing and tactile, analog character. It prioritizes personality and impact over refinement, aiming for a bold display voice that still feels casual and approachable.

The distressing appears as speckling and small voids within the strokes rather than dramatic tears, so the silhouette remains strong while the surface looks weathered. Round letters (O, C, G) stay very full and dark, while diagonals (K, X, V, W) are chunky and slightly uneven, reinforcing the organic feel.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸