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Free for Commercial Use

Distressed Ekby 6 is a very bold, normal width, high contrast, upright, normal x-height font visually similar to 'Myriad' by Adobe, 'Averta PE' and 'Averta Standard PE' by Intelligent Design, 'Belle Sans' by Park Street Studio, 'Almarose' by S&C Type, 'Plusquam Sans' by Typolis, and 'URW Form' by URW Type Foundry (names referenced only for comparison).

Keywords: posters, headlines, packaging, stickers, merchandise, playful, handmade, gritty, retro, bold, analog print, handmade feel, bold impact, retro display, chunky, rounded, textured, roughened, imperfect.


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A heavy, chunky display face with broadly rounded forms and compact counters. Strokes feel cut or stamped rather than drawn, with subtly uneven edges and scattered interior nicks that create a printed-wear texture. Letterforms are mostly simple and geometric at their core, but the outlines wobble slightly and terminals land with blunt, softened ends. Spacing and widths vary a bit across glyphs, reinforcing an informal, handmade rhythm in both caps and lowercase.

Best suited to display settings where texture can be part of the message: posters, bold headlines, packaging, labels, stickers, and merchandise graphics. It can also work for playful branding and social graphics where an imperfect, analog print feel is desired, especially at medium to large sizes.

The texture and soft, chunky silhouettes give the font a friendly but rugged tone—like a well-used rubber stamp or inked poster type pulled from a worn block. It reads upbeat and approachable, yet carries a gritty, analog character that suggests craft, street print, or retro novelty.

The design appears intended to mimic bold, rounded display lettering produced through imperfect printing or worn stamping, combining simple, legible shapes with a controlled distressed surface. Its goal is to deliver high impact while injecting a casual, handcrafted personality into short reads.

The distressed pattern is consistent across the set, showing small chips and specks inside strokes rather than dramatic tearing of outlines. Numerals match the same rounded, poster-like construction, and the overall color on the page is dark and emphatic, favoring short headlines over fine detail.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸