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Free for Commercial Use

Inline Taju 8 is a very bold, narrow, very high contrast, upright, tall x-height font.

Keywords: posters, headlines, sports branding, logos, packaging, athletic, retro, impactful, industrial, showtime, headline impact, retro signage, sporty branding, dimensional accent, condensed, blocky, slabbed, outlined, beveled.


Free for commercial use
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A condensed, block-driven display face with heavy strokes and squared counters, softened slightly by rounded corners in letters like C, G, O, and Q. The forms lean on straight vertical stems and flat terminals, with occasional slab-like notches and angular joins that give the letters a machined, sign-painted feel. A narrow inline channel runs through the black shapes, creating a crisp, carved highlight that reads like an engraved stripe rather than a separate outline. Spacing is compact and the overall texture is dense and rhythmic, built for strong, all-caps impact while remaining legible through its open apertures and simplified geometry.

Best suited to display typography such as posters, headlines, titles, and branding where a dense, high-impact wordmark is needed. It fits sports and event identities, retro-inspired packaging, signage, and merchandise graphics, and can add structure and punch to short calls to action. Use larger sizes to preserve the inline channel and avoid overly tight tracking in long lines.

The font projects a bold, competitive tone reminiscent of varsity lettering, poster headlines, and vintage storefront graphics. The inline cut gives it a theatrical, “marquee” punch—confident, attention-seeking, and slightly nostalgic. Its compact width and strong verticality make it feel forceful and energetic, suited to messages that need to land quickly.

The design appears intended as a condensed headline face that combines solid, blocky construction with an engraved inline accent for added dimensionality. It aims to deliver immediate visibility and a classic display flavor while maintaining consistent, no-nonsense letter shapes across caps, lowercase, and figures.

Uppercase characters appear especially authoritative, with sturdy straight-sided shapes; lowercase maintains the same condensed, constructed logic and reads best at display sizes. Numerals share the same blocky build and inline detailing, producing a cohesive, uniform color in short strings. The inline detail can fill in at small sizes, so the design’s strongest impression comes from larger settings where the carved channel remains distinct.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸