Sans Other Keliz 3 is a regular weight, normal width, medium contrast, upright, normal x-height font.
Keywords: titles, posters, packaging, book covers, game ui, playful, quirky, mythic, hand-hewn, whimsical, expressive display, handcrafted feel, thematic branding, storybook tone, flared strokes, incised feel, sharp terminals, wedge joins, tapered ends.
This typeface presents a lively sans construction with subtly sculpted, flared strokes and frequent wedge-like terminals. Curves are drawn with a slightly elastic, hand-shaped rhythm rather than strict geometry, and many joins narrow into pointed transitions that suggest an incised or carved tool path. Round forms stay open and airy, while diagonals and arms often finish in sharp, tapered ends, giving the letters a crisp silhouette. Spacing and widths vary from glyph to glyph, reinforcing an organic, display-oriented texture across lines of text.
It is well suited to titles, headings, and short-form copy where its carved, whimsical details can be appreciated—such as posters, packaging, book covers, and thematic branding. It can also work for game or event graphics that benefit from a mythic, handcrafted tone, especially when set with generous size and spacing.
The overall tone feels playful and storybook-like, with a faintly archaic or fantastical flavor. Its sharp, chiseled endings and irregular rhythm add character and motion, evoking handmade signage, folklore titles, or whimsical adventure themes without becoming fully calligraphic.
The design appears intended to offer a characterful alternative to conventional sans lettering by blending clean, serifless construction with tapered, incised terminals and slightly irregular proportions. The goal seems to be strong personality and thematic expression while remaining broadly legible in display settings.
The lowercase shows distinctive, animated shapes (notably in curved letters and those with angled arms), and the numerals echo the same tapered, cut-in terminals for a consistent voice. At smaller sizes the pointed joins and idiosyncratic detailing are likely to read as texture; at larger sizes they become the primary feature.