Sans Superellipse Dogej 10 is a regular weight, narrow, monoline, upright, short x-height font.
Keywords: ui labeling, signage, headlines, posters, branding, futuristic, tech, retro, geometric, minimal, tech aesthetic, space saving, systemic consistency, display clarity, rounded corners, squared curves, condensed, mechanical, modular.
This typeface is built from monoline strokes with rounded terminals and a strong rounded-rectangle (superellipse) skeleton. Curves are squared-off and softened rather than fully circular, creating boxy bowls and counters in letters like O, D, and Q. The rhythm is narrow and compact with tall ascenders and short lowercase bodies, while widths vary by character (notably in M/W versus I/L), keeping a slightly modular, engineered texture. Details such as the single-storey a and g, a straight-sided, angular S, and a clean, minimal punctuation style reinforce its geometric construction.
It works especially well for interface labels, dashboards, and product graphics where a compact, high-tech look is desired. The crisp, geometric silhouettes suit headlines, posters, and logo wordmarks, particularly in contexts like electronics, gaming, sci‑fi themes, and industrial design. For extended reading, larger sizes and generous spacing help preserve clarity.
The overall tone feels futuristic and instrument-like, with a retro sci‑fi flavor reminiscent of early digital interfaces and industrial labeling. Its rounded-square geometry reads clean and controlled, giving text a calm, technical confidence rather than a friendly or handwritten warmth.
The design appears intended to merge a clean sans structure with a rounded-rectangular, modular geometry, producing a distinctive techno voice without decorative flourishes. It prioritizes consistent stroke behavior and simplified forms to create a cohesive, system-like feel across letters and numbers.
Several glyphs emphasize distinctive, display-oriented silhouettes: the Q has a clear descending tail, the W is formed from repeated verticals with a shallow bottom join, and numerals follow the same rounded-rectilinear logic for a cohesive alphanumeric set. The tight internal shapes and narrow proportions can make long text feel dense, especially at smaller sizes.