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Free for Commercial Use

Sans Faceted Wuni 2 is a very bold, wide, medium contrast, italic, tall x-height font visually similar to 'JLS OverKill' by Fontry West and 'Fixture' by Sudtipos (names referenced only for comparison).

Keywords: posters, headlines, sports branding, packaging, apparel, athletic, aggressive, industrial, action, retro, impact, speed, toughness, display, branding, condensed counters, faceted, slanted, blocky, angular.


Free for commercial use
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A heavy, forward-leaning sans with compact internal counters and a strongly geometric, faceted build. Curves are largely replaced by planar cuts and chamfered corners, giving bowls and joints a chiseled look and creating sharp, wedge-like terminals. Strokes stay broadly consistent in weight but use angled notches and inktrap-like cuts to open joins and add motion, producing a tight, energetic rhythm. The lowercase keeps a tall presence relative to capitals and maintains the same hard-edged construction, while numerals match the set with squared-off forms and diagonal breaks.

Best suited to headlines, posters, and hero text where a loud, high-impact voice is needed. It fits sports branding, action-oriented marketing, event graphics, and bold packaging or apparel marks. Use with generous spacing and sufficient size to preserve clarity in the tighter counters and apertures.

The overall tone is forceful and kinetic, with a speed-and-impact feel that reads as sporty and assertive. Its sharp facets and slanted stance suggest urgency and performance, while the chunky silhouettes add a rugged, industrial confidence. The result feels attention-grabbing and competitive rather than quiet or neutral.

The design appears intended to deliver maximum impact with a sense of speed, using a slanted stance and faceted, cut-in shapes to imply motion and toughness. Its consistent angular system suggests it was drawn to stand out in display contexts rather than extended reading.

The dense black shapes and small apertures make the face most comfortable at larger sizes, where the faceting and angled cut-ins become clear and intentional. Letterforms show consistent use of diagonal breaks across the set, reinforcing a cohesive, engineered look.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸