Print Hynuk 13 is a bold, normal width, low contrast, upright, short x-height font.
Keywords: posters, packaging, headlines, children’s, craft branding, playful, casual, friendly, handmade, quirky, handmade feel, playful display, casual warmth, bold impact, chunky, rounded, brushy, textured, uneven.
A chunky, hand-drawn print with rounded forms and visibly uneven stroke edges, as if made with a soft brush or marker. Strokes are heavy and mostly monoline, with organic wobble and occasional sharp, tapered terminals that add a cut-paper or brush-drag texture. Counters are generous and simplified, and curves tend toward broad, bulbous shapes rather than precise geometry. Spacing and letter widths vary noticeably, reinforcing an informal rhythm and a lively, irregular silhouette in both uppercase and lowercase.
Best suited to display applications where its handmade texture and weight can be appreciated: posters, playful branding, packaging, stickers, book covers, and children’s or hobby-themed materials. It can work for short blurbs or pull quotes at larger sizes, but it’s most effective for headlines and punchy phrases rather than dense body copy.
The overall tone is upbeat and approachable, with a goofy, kid-friendly energy and a handmade authenticity. Its imperfect outlines and bouncy proportions feel personable and spontaneous, suggesting craft, doodles, and casual notes rather than polished signage.
The design appears intended to mimic an informal hand-lettered brush print—prioritizing warmth, bold presence, and character over typographic regularity. Its varied widths and roughened contours aim to create an energetic, human feel that stands out in casual, fun-forward layouts.
Uppercase forms read as sturdy and poster-like, while the lowercase shows more personality and variation (notably in narrow letters like i/l and broader bowls like a/o). Numerals match the same thick, brushy construction and keep a simple, friendly look. In text, the strong black shapes create high visual presence; at smaller sizes the rough edges and tight interior details can begin to visually fill in.