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Free for Commercial Use

Sans Faceted Rabi 9 is a regular weight, narrow, monoline, upright, normal x-height font.

Keywords: headlines, posters, logos, game ui, album art, runic, arcade, techno, mythic, edgy, thematic display, rune reference, high impact, stylized texture, logo emphasis, angular, faceted, geometric, chiseled, glyphic.


Free for commercial use
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This typeface is built from sharp, planar strokes with triangular terminals and diamond-like counters, replacing curves with crisp facets throughout. Strokes maintain a consistent thickness, while joins form hard angles that create a zig-zag rhythm across words. Proportions are compact and generally narrow, with simplified, geometric constructions for both capitals and lowercase; several forms lean on wedge-shaped apertures and notched cuts that read like carved marks. Numerals follow the same angular logic, favoring straight segments and pointed corners for a cohesive, emblem-like texture in text.

Best suited for display settings where the angular construction can read clearly—such as headlines, posters, title cards, logos, and short UI labels in games. It can also work well for branding in genres that benefit from a runic/tech aesthetic (fantasy, metal, sci‑fi, arcade themes), especially when used with generous tracking and ample size.

The overall tone feels rune-inspired and game-like, combining a pseudo-archaic, carved-letter mood with a modern, digital edge. Its pointed geometry and high-contrast silhouettes convey intensity and mystique, lending an assertive, slightly aggressive voice that suits fantastical or techno-ritual themes.

The design appears intended to reinterpret sans forms through a faceted, carved geometry, prioritizing striking silhouettes and thematic texture over neutral readability. By systematically substituting curves with wedges and diamonds, it aims to deliver a distinctive, emblematic voice that feels both ancient-coded and digitally stylized.

The distinctive faceting creates strong silhouettes at display sizes, but the repeated triangular cuts and tight internal spaces can increase visual noise in longer passages. The design’s personality is consistent across cases and numerals, producing a patterned, symbol-forward texture that stands out in short bursts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸