Sans Faceted Poze 8 is a regular weight, narrow, monoline, italic, normal x-height font.
Keywords: posters, titles, logos, game ui, album art, runic, angular, edgy, retro-futurist, energetic, themed display, runic styling, geometric carving, high impact, motion emphasis, triangular, faceted, spiky, hand-carved, high-contrast forms.
A sharply faceted, monoline display sans built from straight strokes and pointed joins, with curves consistently replaced by angled planes. The design leans forward with a brisk, slanted rhythm and compact proportions, while letter widths vary for a lively texture in text. Counters are often reduced to wedges, diamonds, and narrow apertures, and terminals frequently end in knife-like points that emphasize the geometric construction. Overall spacing reads slightly tight and dynamic, reinforcing the chiseled, polygonal silhouette across uppercase, lowercase, and numerals.
Best suited for short, prominent text where its angular construction can be appreciated: posters, headlines, title cards, and branding marks. It also fits game interfaces, fantasy or sci‑fi themed graphics, and album or event artwork where a carved, coded, or militant tone is desirable. Use with generous size and contrast for maximum clarity.
The face conveys a cryptic, rune-like attitude that feels assertive and kinetic. Its jagged geometry suggests carved signage, fantasy or mythic motifs, and a touch of retro arcade or sci‑fi styling, creating a tense, high-energy tone rather than a calm, neutral one.
The design appears intended to translate a runic, carved aesthetic into a clean, consistent monoline system, prioritizing sharp geometry and forward momentum over conventional legibility. Its repeating planar facets and pointed terminals suggest a deliberate, stylized display voice meant to stand out in themed and expressive typography.
Distinctive diamond and triangular motifs appear repeatedly (notably in rounded letters and some numerals), giving the font a strong internal logic. The slant and sharp joins create a sense of motion, but the spiky forms can make long passages feel visually busy, especially at smaller sizes.