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Free for Commercial Use

Sans Faceted Kody 2 is a regular weight, very wide, monoline, upright, tall x-height, monospaced font.

Keywords: user interfaces, headlines, branding, posters, signage, techy, futuristic, industrial, digital, geometric, systemic design, sci‑fi tone, ui utility, geometric consistency, modern branding, rounded corners, squared forms, facet cuts, stencil-like, architectural.


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A geometric, all-caps–friendly sans with squared proportions and softened corners, built from consistent stroke thickness and compact, modular shapes. Curves are largely replaced by straight segments and planar cuts, producing faceted bowls and chamfered joins (notably in C/G/S and the rounded letters). Counters are wide and rectangular-oval, terminals are predominantly flat, and diagonals appear as clean, angled strokes that keep a tight, engineered rhythm across the set. The numerals follow the same squarish, segmented logic, with open, roomy interiors and crisp corner transitions.

It suits interface typography, dashboards, and on-screen labeling where a structured, technical aesthetic is desired. The distinctive faceting and wide, open counters also work well for headlines, posters, and logotypes that aim for a modern, engineered look, and it can perform in signage contexts where consistent, modular letterforms are beneficial.

The overall tone feels contemporary and machine-made—cool, precise, and slightly game/UI oriented. Its faceted geometry reads as sci‑fi and industrial, with a confident, technical voice that stays friendly thanks to the rounded corners and generous counters.

The letterforms appear intentionally constructed from a small set of geometric rules—flat terminals, rounded-square bowls, and angular facet cuts—to evoke a futuristic, systemized feel. The design prioritizes consistency and a grid-like rhythm, suggesting a font meant to look precise and contemporary in both display and short text settings.

The design leans on repeated construction motifs (chamfers, right angles, and rounded-square bowls), which makes lines of text look uniform and grid-aligned. In running text the strong horizontals and simplified forms create a steady, utilitarian texture rather than a calligraphic one.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸