Sans Superellipse Ukrev 3 is a very bold, narrow, low contrast, upright, tall x-height font visually similar to 'Elephantmen Great & Tall' and 'Ultimatum MFV' by Comicraft; 'EFCO Fairley' by Ephemera Fonts; 'Beachwood', 'Hyperspace Race', and 'Hyperspace Race Capsule' by Swell Type; and 'Winner Sans' by sportsfonts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, signage, industrial, sporty, poster-ready, technical, assertive, space-saving impact, strong branding, modular geometry, display emphasis, squarish, condensed, blocky, rounded corners, compact counters.
A heavy, condensed sans with squarish construction and rounded-rectangle curves. Strokes are uniform and dense, with tight counters and compact apertures that give the letters a solid, blocky silhouette. Terminals are mostly flat and squared off, while bowls and corners soften into superellipse-like rounding, creating a controlled, engineered rhythm. The lowercase mirrors the uppercase’s rigidity with simplified forms and minimal modulation, and the numerals follow the same compact, squared geometry for a consistent, signage-like texture.
Best suited for large-scale display settings where strong silhouettes and compact width are useful—headlines, posters, sports identity, packaging callouts, and signage. It can also work for short UI labels or badges when you want a firm, technical voice, but the dense counters suggest avoiding long passages at small sizes.
The overall tone is forceful and utilitarian—more about impact and clarity than warmth. Its squared curves and compressed proportions evoke industrial labeling, athletic branding, and modern display typography with a slightly retro-tech feel.
The design appears intended to deliver maximum impact in limited horizontal space, using squared, rounded-rectangle forms to keep shapes consistent and highly recognizable. It prioritizes bold presence and a structured, industrial look over delicate detailing.
Spacing appears built for punchy headlines: the dense letterforms and tight internal space make the text read as a dark, continuous band at larger sizes. Round letters (like O/Q/0) lean toward rounded rectangles rather than true circles, reinforcing the font’s mechanical, modular personality.