Sans Superellipse Ukber 3 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Miura' by DSType, 'Rice' by Font Kitchen, and 'EFCO Colburn' by Ilham Herry (names referenced only for comparison).
Keywords: headlines, posters, logos, packaging, signage, industrial, poster, condensed, assertive, retro, space efficiency, maximum impact, signage feel, brand voice, blocky, squared, rounded corners, compact, high impact.
A compact, tightly set sans with tall proportions and a strong, uniform stroke. Curves are built from rounded-rectangle geometry, producing squared counters and softened corners rather than circular bowls. Terminals are mostly blunt and vertical, with minimal modulation and crisp interior cut-ins that keep shapes legible at display sizes. The lowercase follows the same condensed logic, with narrow apertures and simplified joins, creating an efficient, rhythmic texture across words and lines.
Best suited to headlines, posters, and other large-format display settings where density and impact are assets. It also works well for logos, packaging labels, and signage systems that need a sturdy, space-efficient wordmark. For paragraph-length text, it is more appropriate as a stylistic accent than as a primary reading face.
The overall tone is forceful and utilitarian, with a streamlined, industrial attitude. Its rounded-square construction adds a subtle retro flavor—evoking signage, labeling, and sports or club graphics—while staying clean and modern. The heavy, compressed stance reads as confident and attention-seeking rather than delicate or conversational.
The design appears intended to maximize visual impact in a compressed width while maintaining a clean, sans structure. Its superelliptical construction and squared counters create a distinctive, systematized look aimed at branding and display typography where bold presence and consistent texture are priorities.
Round letters like O and Q appear more like superelliptical rectangles, and several glyphs use tight internal notches and compact counters that emphasize density. Numerals share the same blocky logic, keeping a consistent silhouette for headlines and short numeric strings. In longer samples, the tight apertures and strong vertical rhythm suggest it will benefit from generous tracking and ample line spacing at larger sizes.