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Sans Normal Isso 5 is a very bold, very wide, medium contrast, italic, normal x-height font visually similar to 'Acumin' by Adobe, 'ATC Duel' by Avondale Type Co., 'Akzidenz-Grotesk Next' by Berthold, 'Murs Gothic' by Kobuzan, 'Hofmann Grotesk' by W Type Foundry, and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, sports branding, logos, packaging, sporty, punchy, confident, dynamic, retro, attention-grabbing, high impact, speed cue, brand presence, slanted, rounded, soft corners, compact counters, heavy stroke.


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A heavy, slanted sans with rounded, inflated shapes and tightly controlled counters. The construction emphasizes broad curves and blunt terminals, with minimal contrast and a consistent, blocky rhythm. Many forms show slightly pinched apertures and small interior spaces, giving the letters a dense, compact feel even at large sizes. Uppercase proportions are broad and sturdy, while the lowercase keeps simple, single-storey shapes where applicable and maintains the same weighty, forward-leaning momentum.

Best suited for headlines, posters, and branding where immediate impact is the priority—especially sports, youth-oriented campaigns, and bold promotional graphics. It also works well for logos and short lockups, packaging callouts, and signage where the slanted stance can suggest motion and urgency. For longer passages, larger sizes and careful spacing help preserve readability.

The overall tone is energetic and assertive, with a sporty, impact-first voice. Its soft-cornered massing reads friendly rather than aggressive, while the strong slant adds speed and motion. The look leans toward retro athletic and promotional typography, designed to grab attention quickly.

The design appears intended to deliver maximum presence with a fast, forward-leaning silhouette and rounded, approachable forms. It prioritizes bold recognition and a cohesive, chunky texture across letters and numerals, supporting attention-grabbing display typography.

The numerals follow the same rounded, heavy logic, with closed forms (like 8, 9, 0) appearing especially dense. At text sizes the tight counters and bold joins can reduce whitespace, so it benefits from generous tracking or larger setting when clarity is critical.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸