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Sans Superellipse Abduh 9 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to 'Bronkoh' by Brink, 'FF Zwo' by FontFont, 'FS Truman' by Fontsmith, 'Nusara' by Locomotype, 'Core Sans M' by S-Core, and 'Ranelte' by insigne (names referenced only for comparison).

Keywords: ui labels, product design, signage, headlines, dashboards, clean, modern, neutral, technical, approachable, clarity, modernity, system coherence, friendly geometry, utility, rounded corners, geometric, soft terminals, even rhythm, high legibility.


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A clean sans with a superelliptic geometry: curves and counters feel based on rounded-rectangle forms rather than perfect circles. Strokes are uniform and steady, with gently softened corners and largely straight-sided verticals that give letters a stable, engineered feel. Proportions are balanced and open, with clear apertures and spacious counters that keep text readable at a range of sizes. The lowercase shows simple, utilitarian construction (single-storey a and g), while numerals follow the same squared-round logic for consistent color in lines of text.

It fits interface typography, product branding, and editorial headings where a clean geometric voice is needed without looking harsh. The open shapes and steady stroke behavior also suit wayfinding and informational layouts, as well as data-heavy dashboards and packaging that benefits from a precise, modern rhythm.

The overall tone is contemporary and matter-of-fact, with a friendly edge coming from the rounded corners and smooth curves. It reads as calm and dependable rather than expressive, aligning well with minimalist, product-focused design.

The design appears intended to deliver a modern geometric sans with softened, rounded-rectangle forms that preserve clarity and consistency across capitals, lowercase, and numerals. It prioritizes legibility and an orderly texture while adding subtle warmth through rounded shaping.

Round letters like C, G, O, and Q exhibit slightly flattened sides, reinforcing the superellipse motif and creating an even, compact texture in paragraphs. The design maintains consistent join behavior and avoids fussy details, helping the type stay crisp in UI-like settings and bold headlines alike.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸