Sans Superellipse Esmon 6 is a bold, normal width, low contrast, italic, tall x-height font visually similar to 'Siro' by Dharma Type, 'Futo Sans' by HB Font, 'Alfabet' by Machalski, 'Sans Beam' by Stawix, and 'Celdum' and 'Metral' by The Northern Block (names referenced only for comparison).
Keywords: headlines, branding, posters, sportswear, tech ui, sporty, technical, energetic, modern, assertive, convey motion, modernize forms, add distinctiveness, improve clarity, slanted, rounded, square-round, wide apertures, compact spacing.
A slanted sans with heavy, even strokes and a superelliptical construction: curves read as rounded rectangles rather than pure circles, and corners are consistently softened. The design uses broad, flat terminals and clean joins, producing a smooth, machined rhythm in both uppercase and lowercase. Counters are generous and openings stay clear at display sizes, while the overall fit feels relatively compact, giving lines a dense, forward-leaning texture. Numerals share the same squared-round geometry, with sturdy horizontal cuts and simplified, contemporary forms.
Best suited to headlines and short-to-medium display text where its slant and squared-round forms can project speed and clarity. It can work well in branding for athletic, automotive, or tech contexts, as well as on packaging, posters, and UI moments that need a strong, modern voice rather than quiet neutrality.
The overall tone is fast and purposeful, with a streamlined, engineered feel that suggests motion and performance. Its rounded-square shapes keep it friendly and approachable, while the strong slant and firm weight make it feel confident and attention-grabbing.
The design appears intended to blend the legibility of a straightforward sans with a distinctive superelliptical silhouette and a dynamic slant. It prioritizes impact and contemporary character while keeping shapes simplified and consistent for clear, repeatable branding.
The sample text shows a consistent rightward emphasis and stable stroke weight across letters, helping long lines maintain a uniform color. The superellipse logic is especially evident in round letters and in the way bowls and curves transition into straighter segments, keeping the palette cohesive.