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Sans Superellipse Ponab 17 is a bold, very narrow, monoline, upright, normal x-height font visually similar to 'Singo Sans' by Ferry Ardana Putra and 'Black Phantom Pro' by Salamahtype (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, branding, industrial, condensed, assertive, utilitarian, retro, space-saving, high impact, clarity, systematic, tall, compact, rounded, square-shouldered, poster-ready.


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This typeface is tall and tightly set, with compact proportions and a consistent, even stroke. Curves are built from rounded-rectangle geometry, giving counters and bowls a squared-off softness rather than purely circular forms. Terminals are mostly blunt and clean, with minimal modulation and a steady vertical rhythm. The lowercase is straightforward and functional, with simple single-storey forms where applicable and clear, blocky numerals that match the overall condensed structure.

Well suited to headlines and display settings where space is limited and a strong vertical footprint is desirable. It also works for packaging, signage, and branding systems that benefit from compact line lengths and an industrial-modern voice. In longer text, it will create dense, high-contrast texture best used at comfortable sizes and with generous tracking.

The overall tone is direct and pragmatic, with a strong condensed presence that reads as efficient and no-nonsense. Its rounded-rectilinear shaping adds a subtle retro-industrial flavor, balancing friendliness with firmness. The result feels confident and attention-getting without becoming decorative.

The design appears intended to deliver maximum impact and legibility in narrow widths, using rounded-rectangular construction to keep forms distinctive and cohesive. Its consistent stroke and restrained detailing suggest a focus on clarity, reproducibility, and strong typographic color in display applications.

The narrow letterforms create a strong columnar texture in paragraphs and a pronounced vertical emphasis in headlines. Round letters like O/C/G and the shoulders of n/m show the characteristic squared curves, which helps maintain consistency across the set. The numerals are similarly compact and sturdy, suited to tight layouts.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸