Sans Superellipse Afmik 15 is a light, normal width, monoline, upright, normal x-height font.
Keywords: ui design, app interfaces, wayfinding, product branding, dashboards, modern, technical, clean, minimal, friendly, clarity, system feel, modern branding, interface use, geometric cohesion, rounded corners, geometric, square-round, low contrast, open apertures.
A crisp geometric sans with rounded-rectangle construction and consistently softened corners. Strokes are even and low-contrast, with smooth curves transitioning into straight segments for a superelliptical, square-round silhouette. Proportions feel orderly and controlled, with generous counters and open apertures that keep forms clear at text sizes. The uppercase leans toward compact, engineered shapes (notably in rounded bowls and squared curves), while the lowercase maintains a straightforward, utilitarian rhythm with simple terminals and minimal modulation.
Well-suited to user interfaces, app and web typography, and product experiences where clarity and consistency matter. Its rounded-square geometry also works for contemporary brand systems, packaging, and tech-forward editorial accents, and it can serve effectively in signage or wayfinding when a softer, modern voice is desired.
The overall tone is modern and composed, balancing a technical, UI-like precision with a mild friendliness from the rounded corners. It reads as clean and neutral rather than expressive, with a subtle futuristic edge that comes from the squared-off curves and disciplined geometry.
The design appears intended to provide a highly legible, contemporary sans built from superelliptical forms—combining the neutrality of a system font with a distinctive rounded-rectangle signature. The consistent stroke weight and disciplined geometry suggest a focus on clarity, repeatable shapes, and reliable performance across UI and branding contexts.
Round characters such as C, G, O, Q, and 0 share a consistent rounded-rectangle skeleton, giving the set a cohesive, system-like feel. The numeral set appears clear and practical, with similarly squared curves and straightforward forms suited to interfaces and informational typography.