Font Hero

Free for Commercial Use

Sans Superellipse Pimoh 7 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Hoolister' by Ckhans Fonts, 'GR Norch' by Garisman Studio, 'Karglos' by Maulana Creative, 'Stallman Round' by Par Défaut, 'Jetlab' by Swell Type, and 'Competition' by sportsfonts (names referenced only for comparison).

Keywords: posters, headlines, signage, sports branding, packaging, industrial, condensed, assertive, retro, space saving, attention grabbing, geometric consistency, signage clarity, blocky, rectilinear, rounded corners, compact, high impact.


Free for commercial use
Customize the font name

A compact, heavy sans with squared, superellipse-based bowls and consistently rounded corners. Strokes are blunt-ended and largely uniform, producing a dense, poster-like texture with minimal internal counters. The narrow proportions and tall verticals create a strong vertical rhythm, while curves resolve into rounded-rectangle forms (notably in O, C, G, and numerals), keeping the silhouette crisp and controlled. Overall spacing reads tight and efficient, emphasizing mass and legibility at display sizes.

This face performs best in large, high-impact applications such as posters, headlines, event graphics, and wayfinding. It can also suit branding systems that need a compact, space-saving display style, especially on packaging or labels where strong presence and vertical economy are important.

The tone is forceful and utilitarian, with a distinctly industrial and slightly retro flavor. Its compressed stance and chunky construction convey urgency and strength, leaning toward bold headlines, signage, and attention-grabbing messaging rather than subtle editorial voice.

The design appears aimed at delivering maximum impact in a condensed footprint, using superellipse geometry and rounded corners to balance hardness with approachability. Its consistent, block-driven construction suggests an intention for clear, repeatable shapes that hold up in bold display typography.

Counters are small relative to the stroke weight, so letters can merge visually in longer lines; this reinforces the compact, impactful look but benefits from generous tracking when set in paragraphs. Round forms stay squared-off, giving the design a consistent geometric logic across uppercase, lowercase, and figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸