Sans Superellipse Porey 7 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Choxr' by Almarkha Type, 'Bekar' by Clevus, 'Bowser' by Hipfonts, 'Kajiro' by Maulana Creative, 'Robson' by TypeUnion, and 'Baucher Gothic' by URW Type Foundry (names referenced only for comparison).
Keywords: headlines, posters, signage, branding, packaging, condensed, industrial, poster-ready, authoritative, retro, space-saving impact, strong silhouette, signage clarity, retro display, monoline, vertical, compact, rounded corners, tall caps.
A tightly condensed sans with tall, columnar proportions and sturdy, monoline strokes. Curves are built from rounded-rectangle/superellipse geometry, giving bowls and counters a squared-off softness rather than circular forms. Terminals are clean and blunt, with consistent stroke weight and minimal modulation, producing a dense, dark texture in lines of text. Spacing is compact and the overall rhythm is strongly vertical, with narrow apertures and enclosed counters that stay legible through simplified, high-impact shapes.
Best suited to large-size applications where space is limited but impact is needed: headlines, posters, storefront or wayfinding-style signage, and bold branding/packaging. It can also work for short subheads or labels in layouts that benefit from a compact, vertical typographic voice.
The tone is forceful and utilitarian—more industrial and poster-like than conversational. Its compressed, tall silhouette reads as assertive and slightly retro, evoking display typography used for headlines, signage, and impactful labeling.
The design appears intended to deliver maximum visual punch in minimal horizontal space, using rounded-rectangle construction to keep forms consistent and sturdy. Its simplified, monoline structure suggests a focus on strong silhouette, even texture, and reliable readability in display settings.
Round letters such as O and Q appear as softened rectangles, and many glyphs emphasize straight vertical sides with gently radiused corners. The figures follow the same condensed, blocky logic, making them visually compatible in mixed alphanumeric settings. The overall impression is uniform and robust, prioritizing bold presence over delicate detail.