Sans Superellipse Pymot 8 is a regular weight, narrow, low contrast, upright, tall x-height font visually similar to 'Bebas Neue Pro' by Dharma Type (names referenced only for comparison).
Keywords: ui labels, wayfinding, packaging, headlines, data tables, clean, modern, utilitarian, condensed, neutral, space saving, clarity, modern utility, systematic rhythm, neutral voice, monoline, rectilinear, rounded corners, compact, high legibility.
A compact, monoline sans with tall proportions and a tightly controlled, vertical rhythm. Curves tend to resolve into rounded-rectangle (superellipse-like) bowls and counters, giving round letters a slightly squared feel without becoming mechanical. Strokes stay even and low-contrast throughout, with crisp terminals and minimal modulation. Lowercase forms keep a large x-height and open apertures, while uppercase letters are narrow and space-efficient, producing an overall tall, economical texture in paragraphs.
Well-suited to interfaces, navigation systems, and informational layouts where vertical economy and quick recognition matter. The tall x-height and compact width make it effective for labels, captions, tables, and signage, while the clean, contemporary skeleton also works for headlines and brand-support typography that needs to stay neutral and efficient.
The tone is straightforward and contemporary, prioritizing clarity over personality. Its condensed stance and crisp construction read as practical and information-driven, with a subtle engineered feel coming from the rounded-rectangle geometry. Overall it communicates neutrality, control, and efficiency.
Likely drawn to deliver a space-saving, highly legible sans for modern communication, balancing strict verticality with softened superelliptical rounding to avoid harshness. The design emphasizes consistent stroke weight, predictable rhythm, and compact proportions for reliable performance across dense text and display settings.
Round letters like O/C/G and the lowercase bowls show consistently softened corners rather than true circles, which helps keep the set visually unified. Diagonals in A/V/W/X are sharp and clean, and the numerals follow the same compact, upright construction for a cohesive alphanumeric color. Spacing appears measured and relatively tight, supporting dense setting without looking compressed.