Sans Superellipse Pymot 6 is a regular weight, very narrow, low contrast, upright, tall x-height font visually similar to 'Grand' by North Type, 'Entropia' by Slava Antipov, and 'Heading Now' by Zetafonts (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, branding, modern, utilitarian, industrial, editorial, compressed, space saving, modernization, clarity, system design, condensed, tall, clean, geometric, rounded corners.
This sans serif shows strongly condensed proportions with tall, compact letterforms and tight internal counters. Curves are built from rounded-rectangle geometry, giving bowls and terminals a subtly squared, superelliptical feel rather than purely circular rounds. Strokes remain even and steady, with crisp joins and minimal modulation, producing a consistent vertical rhythm. Lowercase forms are narrow and upright, with a high x-height and short ascenders/descenders relative to the overall cap height, while numerals share the same condensed, vertically oriented stance.
It performs best in display contexts where space is limited and a tall, compact voice is useful—headlines, subheads, posters, and wayfinding-style signage. The steady stroke and disciplined shapes also suit packaging and brand systems that want a condensed, contemporary typographic backbone.
The overall tone is modern and practical, with a no-nonsense, engineered flavor. Its condensed stance and squared-round curves evoke contemporary signage and editorial titling, reading as confident, efficient, and slightly industrial rather than friendly or calligraphic.
The design appears aimed at delivering a space-saving sans with a distinctive superelliptical construction—combining dense, vertical efficiency with softened corners for a controlled, modern look.
The font’s geometry emphasizes straight verticals and compact bowls, creating dense texture in text while keeping shapes clean and uncluttered. Rounded corners soften the rigidity of the condensed construction, helping maintain legibility despite the tight widths.