Sans Normal Oldab 3 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Grift' by 38-lineart, 'Heavitas Neue' by Graphite, 'Arona' by Peninsula Studioz, 'Primeform Pro' and 'Turis' by Punchform, 'Bozon' by ROHH, and 'Santral' by Taner Ardali (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, signage, modern, friendly, confident, clean, techy, impact, clarity, modern branding, geometric simplicity, display emphasis, geometric, rounded, high contrast-free, sturdy, crisp.
A heavy geometric sans with smooth, circular bowls and largely uniform stroke weight. The shapes lean on simple arcs and straight cuts, with squared terminals and a generally closed, compact construction that keeps counters tidy even at large sizes. Uppercase forms are wide and stable, with a clean, symmetrical rhythm; the lowercase keeps a single-storey approach where visible and maintains consistent, rounded joins. Numerals match the overall build with broad, even forms and clear interior counters.
Best suited for display roles such as headlines, posters, brand marks, and packaging where its sturdy geometric forms can carry visual impact. It can also work for short UI labels and signage where quick recognition and strong silhouettes are beneficial.
The overall tone is modern and approachable, combining geometric clarity with a soft roundness that feels friendly rather than clinical. Its dense weight and simple construction communicate confidence and immediacy, making it read as contemporary and slightly tech-forward.
Likely intended as a contemporary geometric workhorse for bold statements, balancing strict circular construction with friendly proportions for broad commercial use. The uniform stroke behavior and simplified details suggest an emphasis on consistency, reproducibility, and strong presence in modern layouts.
The design emphasizes clarity through large, open curves and decisive straight cuts, producing strong silhouettes that hold up well in short strings. Round letters like O/C/G/Q show near-circular construction, while diagonals (V/W/X/Y) are firm and clean, giving the font a consistent, engineered feel.