Sans Superellipse Ampa 7 is a light, narrow, medium contrast, reverse italic, normal x-height font.
Keywords: branding, packaging, posters, headlines, children’s media, playful, casual, handmade, friendly, quirky, approachability, distinctiveness, modern warmth, informal clarity, rounded, upright, bouncy, informal, soft.
A rounded, monolinear sans with subtly superelliptical curves and softly squared counters that give bowls and rounds a “squircle” feel. Strokes stay relatively even, with gentle tapering at terminals and occasional wedge-like joins that keep the texture lively. The overall rhythm is slightly irregular in a controlled way: characters lean back subtly, spacing feels airy, and widths vary enough to create a bouncy, conversational line. Lowercase forms are simple and open, with single-storey a and g, compact shoulders, and small, clean dots on i and j.
Well-suited to branding, packaging, and editorial headlines where an approachable, handmade-adjacent tone is helpful. It also fits posters, event materials, and family- or kid-oriented projects that benefit from warmth and character. In longer text it will feel informal and expressive, making it best for short to medium passages rather than dense, high-neutrality reading.
The font reads personable and lightly whimsical, like neat marker lettering refined into a consistent type system. Its soft geometry and relaxed rhythm suggest approachability and warmth rather than strict neutrality. The reverse slant adds a quirky, distinctive voice without feeling loud or aggressive.
The design appears intended to blend geometric rounding with a human, lightly imperfect rhythm, delivering a distinctive reverse-leaning voice while remaining clear and readable. It aims to feel friendly and contemporary, with soft superelliptical structure and uncomplicated forms that reproduce well at display and subhead sizes.
Round letters (O, Q, e, c) show softened corners rather than perfect circles, while verticals (I, l) are straightforward and clean, helping legibility. Numerals maintain the same friendly curvature, with open, readable forms that match the lowercase tone.