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Free for Commercial Use

Sans Normal Okraf 11 is a bold, wide, low contrast, upright, normal x-height font visually similar to 'Creata' by Ivan Petrov, 'Cyntho Next' by Mint Type, 'Olivine' by URW Type Foundry, and 'Helios Antique' by W Type Foundry (names referenced only for comparison).

Keywords: headlines, branding, posters, signage, packaging, modern, friendly, confident, clean, punchy, impact, clarity, approachability, modernity, versatility, geometric, rounded, sturdy, crisp, high-impact.


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A heavy, geometric sans with broad proportions, large counters, and smooth, circular curves balanced by straight-sided verticals and flat terminals. Strokes are uniform and dense, with minimal modulation and a stable, upright stance that keeps letterforms crisp at display sizes. Uppercase forms read solid and blocky with generous bowls and consistent widths, while lowercase follows a straightforward, single-story construction where applicable, maintaining an even rhythm and clear internal spaces. Numerals match the same robust, simplified geometry, emphasizing clarity and strong silhouette over fine detail.

Best suited to headlines, titles, and large-scale messaging where strong shapes and broad proportions can carry impact. It works well for branding and packaging that needs an approachable but confident voice, and for signage or UI callouts that benefit from clear, sturdy letterforms at a glance.

The font conveys a contemporary, approachable tone with a confident, no-nonsense presence. Its rounded geometry and even rhythm feel friendly and accessible, while the heavy weight and broad stance add emphasis and authority. Overall it reads as modern and practical, leaning more toward bold clarity than subtlety.

The design appears intended to deliver a modern, high-impact sans that remains friendly and legible through simple geometric construction and open internal spaces. It prioritizes a strong silhouette and clean rhythm for display use, with consistent forms that keep text blocks looking orderly and contemporary.

Spacing appears comfortable for headlines, with open apertures and counters that help prevent dark spots despite the heavy strokes. The design favors simple, highly recognizable shapes, giving it strong performance in short text bursts and prominent UI or branding moments.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸