Print Gylom 10 is a very bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Cyclone' by Hoefler & Co., 'Final Edition JNL' by Jeff Levine, and 'Ruden' by Panatype Studio (names referenced only for comparison).
Keywords: posters, headlines, packaging, stickers, kids media, playful, quirky, friendly, retro, comic, handmade feel, high impact, approachable tone, retro flavor, chunky, rounded, hand-drawn, irregular, bouncy.
A chunky, hand-drawn all-caps and lowercase with compact proportions and a soft, rounded silhouette. Strokes are heavy and largely uniform, with subtly uneven edges and slightly inconsistent curves that create an organic, marker-like texture. Counters are tight and oval, terminals are blunt, and curves lean toward teardrop and pill shapes, giving the alphabet a buoyant, slightly squashed rhythm. Spacing and widths vary modestly from glyph to glyph, reinforcing the informal, hand-made cadence while keeping overall alignment upright and readable.
Best suited to display use such as posters, headlines, product packaging, labels, stickers, and social graphics where a friendly, handcrafted voice is desired. It also works well for kids’ materials, playful branding, and short UI callouts when used at larger sizes.
The font feels upbeat and mischievous, like informal lettering meant to catch attention without looking rigid or corporate. Its bouncy shapes and uneven hand-drawn finish suggest a casual, approachable tone with a hint of retro comic signage.
Likely designed to mimic bold, casual hand lettering with a compact footprint—prioritizing immediacy and personality over formal precision. The goal appears to be a sturdy, high-impact display style that still feels human and approachable.
At text sizes the dense stroke weight and tight counters can make long paragraphs feel heavy, but it holds together well for short bursts and emphatic lines. The numerals share the same rounded, hand-cut personality and read best when given a bit of breathing room in layout.