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Sans Superellipse Pigih 7 is a very bold, very narrow, medium contrast, upright, tall x-height font visually similar to 'Maildore' by Maulana Creative, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, 'PF Mellon' by Parachute, and 'Lugak Sans' by holyline design (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, sports branding, industrial, authoritarian, poster-ready, compressed, stencil-like, maximum impact, space saving, signage voice, distinct texture, condensed, blocky, monolithic, high-impact, vertical stress.


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A tightly compressed, heavy sans with tall proportions and rounded-rectangle (superellipse) counters that read as squared-off yet softened. Strokes are thick and largely uniform, with occasional narrow interior slits and pinched joins that create a subtle cut-in/stenciled impression across many forms. Curves are compact and vertical, terminals are blunt, and the overall rhythm is dense, producing strong black coverage and high presence at display sizes. Numerals and caps follow the same condensed, block-forward construction for a cohesive, poster-like texture.

Best suited for short, high-impact settings such as headlines, posters, large-format signage, and bold packaging statements where its dense texture and condensed width help maximize copy in limited space. It can also work for energetic branding moments (sports, streetwear, events) when used at large sizes with comfortable spacing.

The tone feels forceful and utilitarian—bold, urban, and slightly regimented—like signage, industrial labeling, or propaganda-era display typography. The narrow width and heavy mass add urgency and volume, while the softened rectangular curves keep it from feeling purely mechanical.

The font appears designed to deliver maximum visual punch in a narrow footprint, combining blunt, condensed geometry with softened superelliptical curves and subtle cut-in details to create a distinctive display voice that remains broadly sans in character.

The design favors verticality and tight counters, which amplifies impact but can reduce clarity when set too small or too tightly tracked. The recurring inner notches/cuts become a defining texture in words, giving headlines a distinctive, gritty pattern.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸