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Free for Commercial Use

Sans Other Ibga 11 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Aguda' and 'Aguda Stencil' by Graviton and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).

Keywords: headlines, posters, branding, logos, packaging, techno, industrial, futuristic, utilitarian, retro sci‑fi, distinctive display, stencil aesthetic, tech styling, signage feel, stencil cuts, rounded corners, geometric, square forms, ink traps.


Free for commercial use
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A heavy, geometric sans with squared proportions, softened by generous corner rounding and consistent, blocky stroke widths. Many glyphs feature deliberate stencil-like interruptions and internal notches (notably in E/F and several curved forms), creating segmented horizontals and small cut-ins that read like functional breaks or ink-trap details. Curves are squarish and compact, counters are relatively small, and the overall silhouette leans toward rectangular, modular construction. The rhythm is tight and mechanical, with assertive terminals and a uniform, engineered feel across letters and numerals.

Best suited to display typography such as headlines, posters, brand marks, product packaging, and tech-themed graphics where its stencil cuts and squared geometry can be a defining visual feature. It also fits short UI-style labels, titling, and motion graphics where a mechanical, engineered texture is desirable.

The font projects a techno-industrial tone with strong retro-futurist and sci-fi signage associations. Its segmented strokes and squared curves suggest machinery, interfaces, and stenciled labeling, giving copy an authoritative, technical flavor even at display sizes.

The design appears intended to combine a sturdy geometric sans base with stencil-inspired breaks and notched detailing to create a distinctive, industrial-tech personality. The consistent modular construction suggests a focus on impact and recognizable silhouettes rather than neutrality.

Distinctive horizontal segmentation appears in multiple uppercase forms, while the lowercase keeps the same squared, rounded framework for a cohesive system. Numerals echo the same cut-in and stencil logic, supporting a consistent voice in headings, labels, and UI-like treatments.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸