Sans Other Ibpy 1 is a regular weight, wide, low contrast, upright, normal x-height font visually similar to 'Matt' by Fontfabric, 'Olivine' by URW Type Foundry, and 'Helios Antique' by W Type Foundry (names referenced only for comparison).
Keywords: posters, headlines, branding, signage, packaging, industrial, stencil, tech, modern, stencil effect, industrial voice, systematic look, distinctive display, gapped strokes, geometric, monoline, bold, clean.
A monoline, geometric sans with deliberate stencil-like interruptions cut into key strokes and curves. The letterforms are built from simple, rounded shapes with straight-sided verticals and broad, open counters, while many glyphs feature narrow horizontal or vertical breaks (often at mid-height or at joins) that create a segmented, constructed feel. Curves are smooth and fairly circular, terminals are clean and squared-off, and the overall rhythm is steady and legible at display sizes, with a slightly engineered, modular texture created by the repeated gaps.
Best suited to headlines, posters, packaging, and identity work where the segmented stencil detail can be seen clearly. It also fits wayfinding or product/tech labeling aesthetics, especially in short phrases, logos, and large-scale applications where the engineered breaks become a recognizable motif.
The repeated breaks give the type a utilitarian, industrial tone—suggesting labeling, fabrication, and technical systems—while the rounded geometry keeps it approachable rather than harsh. The result feels modern and purposeful, with a subtle sci‑fi/wayfinding character that reads as designed and systematic.
Likely designed to combine straightforward geometric sans proportions with a distinctive stencil/segmented construction for a functional, manufactured look. The consistent mid-stroke gaps appear intended to evoke cut lettering or modular assembly while retaining clean readability for display typography.
The stencil cuts are applied consistently across uppercase, lowercase, and numerals, creating a strong visual signature in words and especially in rounded letters like C, O, Q, and S. Numerals and capitals maintain a sturdy, sign-ready presence, and the distinctive interruptions add character without introducing decorative serifs.