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Free for Commercial Use

Sans Superellipse Idnoj 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bhelt' by Fateh.Lab, 'Kontesa' by FoxType, 'Sharp Grotesk Latin' and 'Sharp Grotesk Paneuropean' by Monotype, and 'Herokid' by W Type Foundry (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, signage, playful, punchy, retro, chunky, friendly, impact, display clarity, geometric consistency, friendly tone, retro appeal, rounded, soft corners, compact, heavy, blunt.


Free for commercial use
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This typeface is built from thick, compact strokes with rounded-rectangle curves and softened corners throughout. Counters are relatively small and often squarish or oval, creating dense black shapes and a strong, poster-like color on the page. Curves on C, G, O, and S feel superelliptical rather than purely circular, and terminals tend to end bluntly with subtle rounding. The lowercase is straightforward and compact, with single-storey a and g, a short-shouldered r, and sturdy, simplified forms; figures are similarly blocky with tight interior spaces.

It’s well suited to headlines, short statements, branding marks, and packaging where strong impact and a friendly geometric flavor are desired. In environments like posters or signage, its dense letterforms create a confident presence, while the rounded shapes help maintain approachability.

The overall tone is bold and upbeat, with a slightly nostalgic, display-driven feel reminiscent of signage and punchy headline typography. Its rounded geometry keeps it friendly rather than aggressive, while the tight counters and heavy silhouettes add emphasis and immediacy.

The font appears intended to deliver maximum visual impact with a cohesive rounded-rect geometry, prioritizing bold silhouette and simple, sturdy letter construction. Its compact counters and blunt terminals suggest a design optimized for attention-grabbing display use rather than delicate or airy composition.

The design reads best at larger sizes where the small counters and tight joins have room to breathe. Round letters maintain a consistent squarish curvature, giving the face a cohesive, deliberately geometric rhythm across both text and numerals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸