Sans Superellipse Idmos 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Faculty' by Device, 'Muller Next' by Fontfabric, 'Allotrope' by Kostic, 'Fact' by ParaType, 'Sans Beam' by Stawix, and 'Ansage' by Sudtipos (names referenced only for comparison).
Keywords: headlines, posters, packaging, logos, sports branding, playful, punchy, retro, friendly, bold, impact, approachability, nostalgia, headline clarity, branding, rounded, soft corners, blocky, compact, stout.
A heavy, blocky sans with rounded-rectangle construction and softened corners throughout. Strokes are consistently thick with minimal modulation, creating strong, even color in text. Counters are compact and often squarish (notably in O, P, R, and 8), while joins and terminals stay blunt and sturdy. Overall proportions feel stout and slightly condensed in impression, with simple, high-impact letterforms and a tight internal rhythm.
Best suited to large-scale typography such as headlines, posters, and bold promotional copy where its dense weight and rounded geometry can dominate the page. It also fits branding applications like packaging, badges, and logo wordmarks that need a friendly but forceful presence.
The font projects a playful, energetic tone with a distinctly retro display feel. Its rounded, chunky forms read as friendly and approachable while still delivering strong visual authority. The overall effect is loud and attention-grabbing rather than refined or technical.
The design appears intended as a high-impact display sans built from rounded-rectangular shapes, prioritizing strong silhouette, uniform stroke weight, and immediate readability. It aims to evoke a nostalgic, mid-century-to-70s/80s poster sensibility while keeping forms clean and contemporary.
Uppercase forms are especially poster-like, with broad shoulders and firm, squared-off edges; lowercase maintains the same chunky logic and remains highly legible at large sizes. Numerals are dense and weighty, matching the caps well and reinforcing the font’s sign-painting and headline character.