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Sans Superellipse Moris 8 is a very bold, very narrow, low contrast, italic, normal x-height font visually similar to 'Dharma Gothic' and 'Dharma Gothic Rounded' by Dharma Type, 'Kuunari' and 'Kuunari Rounded' by Melvastype, and 'Chairdrobe' by XTOPH (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, sports graphics, sporty, urgent, punchy, modern, industrial, impact, compression, speed, headline, compressed, blocky, rounded terminals, dense color, sturdy.


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This is a condensed, slanted sans with thick, low-contrast strokes and rounded-rectangle shaping throughout. Curves tend to resolve into softened corners rather than perfect circles, producing a blocky-yet-smooth silhouette and a tight, vertical rhythm. Counters are relatively small for the weight, and terminals are consistently rounded, which helps unify the set. The numerals and capitals follow the same compact, sturdy construction, maintaining a dense, poster-like color on the line.

Best suited for headlines, posters, packaging callouts, and branding that needs a compact yet forceful voice. It can work well for sports and automotive-style graphics, event promotion, and bold UI labels where space is tight. In longer passages or small sizes, the dense weight and tight counters may benefit from generous tracking and leading.

The overall tone is assertive and high-energy, with a compact, forward-leaning posture that feels fast and sporty. It reads as contemporary and slightly industrial, giving headlines a confident, no-nonsense voice. The rounded corners keep it friendly enough to avoid feeling harsh, even at heavy weights.

The design appears intended to maximize impact in limited horizontal space, delivering strong presence through condensed proportions and heavy strokes. The consistent slant and rounded-corner geometry suggest a focus on motion and cohesion across letters and numerals. It is built to stay bold and readable at display sizes rather than to disappear into long-form text.

The glyph set shown keeps a consistent rounded-rectangle logic across straight stems, bowls, and joints, which reinforces a uniform texture in words. The italic angle is strong enough to be clearly directional, and the condensed widths create a tall, stacked feel in multi-line settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸