Sans Superellipse Wodi 13 is a bold, very wide, high contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, sports branding, gaming ui, futuristic, techy, industrial, sporty, sci‑fi, tech branding, display impact, sci‑fi tone, graphic signage, speed aesthetic, rounded corners, superelliptic, extended, blocky, geometric.
A heavy, extended sans built from rounded-rectangle and superellipse forms, with generous width and compact counters. Strokes are largely monolinear with crisp, squared terminals that soften into rounded corners, giving the letters a machined, molded feel. Curves are tight and controlled, and many joins resolve into sharp diagonals (notably in K, V, W, X, Y, Z), while bowls and rounds (O, Q, 8, 0) read as rounded rectangles rather than true circles. Spacing appears relatively open for the weight, supporting legibility in large settings, and the figures share the same wide, squared-off rhythm as the capitals.
This font is best suited to display typography where its wide, engineered shapes can read clearly: headlines, posters, logo wordmarks, product branding, and tech or gaming interface graphics. It also works well for short labels, titles, and number-forward uses where the squared, rounded figures can carry a strong visual identity.
The overall tone is assertive and high-tech, suggesting digital interfaces, racing graphics, and sci‑fi branding. Its wide stance and squared, rounded geometry feel engineered and confident rather than friendly or calligraphic.
The design appears intended to deliver a contemporary, engineered look by combining rounded-rectangle curves with sharp diagonal cuts and segmented strokes. The goal seems to be a bold, high-impact voice for modern, technology- and speed-associated contexts while preserving consistent, geometric structure across letters and numerals.
Distinctive details include horizontally sliced or segmented strokes in characters such as S and several numerals, plus a squared, rounded-dot treatment in the i/j and a rectangular, inset counter style in letters like O/Q. The lowercase maintains the same industrial geometry as the uppercase, with single-storey forms and a streamlined, display-oriented construction.