Sans Superellipse Odzo 2 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Folio' by Bitstream, 'Dean Gothic' by Blaze Type, 'Folio B EF' by Elsner+Flake, 'Folio' and 'Shilia' by Linotype, 'PG Gothique' by Paulo Goode, and 'Folio SB' by Scangraphic Digital Type Collection (names referenced only for comparison).
Keywords: headlines, posters, branding, packaging, social media, friendly, punchy, modern, playful, confident, approachability, impact, simplicity, geometric warmth, rounded, soft corners, chunky, compact counters, smooth curves.
A heavy, rounded sans with a soft-rectangular (superellipse) construction and consistently blunted terminals. Strokes are broad and even, with gentle rounding at corners and transitions that keeps the texture smooth and cohesive at large sizes. Counters are relatively tight—especially in letters like a, e, s, and g—creating a dense, poster-ready color, while the overall proportions stay generously wide and stable. Lowercase forms are sturdy and simplified, with single-storey a and g and a clean, straightforward numeral set that matches the same rounded, blocky logic.
Best suited to display roles where weight and rounded geometry can do the work: headlines, posters, logos, packaging, and short, emphatic messaging in digital layouts. It also performs well for badges, labels, and UI moments that need a friendly but bold voice.
The font reads as upbeat and approachable, pairing friendly curves with a solid, no-nonsense weight. Its soft corners add warmth and informality, while the strong silhouettes keep it assertive and attention-grabbing.
The likely intention is a contemporary display sans that combines geometric, superelliptical shapes with softened edges to feel approachable while remaining highly impactful. The simplified letterforms and dense interior spacing suggest it’s optimized for strong recognition and punchy setting rather than delicate typographic nuance.
The design emphasizes silhouette over internal detail, so small apertures and compact counters become a defining feature in text. The overall rhythm feels consistent and geometric, with rounded joins and terminals lending a uniform, “molded” finish across letters and figures.