Sans Superellipse Aksy 4 is a regular weight, normal width, monoline, upright, tall x-height font visually similar to 'Racon' by Ahmet Altun (names referenced only for comparison).
Keywords: ui labels, headlines, posters, signage, branding, futuristic, technical, clean, geometric, industrial, systemic clarity, modern branding, interface readability, geometric consistency, rounded corners, squared bowls, condensed feel, crisp terminals, rectilinear.
This typeface is a geometric sans built from rounded-rectangle and superellipse-like forms, with squared counters softened by consistently radiused corners. Strokes are even and steady, and terminals tend to finish flat, giving the letterforms a crisp, engineered look. Proportions lean tall with compact, boxy curves in letters like O, C, D, and Q, while straight-sided structures dominate in E, F, H, and N. The lowercase maintains a tall profile with simple, squared bowls and short joins, and the numerals follow the same rounded-rect geometry for a cohesive, grid-friendly texture.
It performs well in short-to-medium display settings where its squared rounds and clean terminals can define a strong voice—such as UI labels, navigation, product surfaces, and tech-facing brand work. It also suits posters and headings that benefit from a compact, modular texture and a contemporary industrial feel.
The overall tone feels modern and utilitarian, combining a friendly softness from the rounded corners with a precise, technical rhythm. It reads as contemporary and device-oriented, suggesting interfaces, equipment labeling, and streamlined branding.
The design appears intended to translate a rounded-rect geometric system into a readable sans, balancing strict construction with softened corners for approachability. Its consistent stroke behavior and modular shapes suggest an emphasis on clarity, scalability, and a modern, tech-adjacent identity.
Distinctive rectangular rounds and open apertures help maintain clarity at larger sizes, while the squared construction creates a strong, modular pattern in text. The punctuation and basic forms shown keep the same disciplined geometry, reinforcing a consistent system-like aesthetic.