Font Hero

Free for Commercial Use

Sans Normal Anrad 15 is a regular weight, normal width, monoline, upright, normal x-height font visually similar to 'Aspira' by Durotype, 'Averta PE' and 'Averta Standard PE' by Intelligent Design, 'Infoma' by Stawix, and 'Haboro Sans' by insigne (names referenced only for comparison).

Keywords: ui text, branding, signage, editorial, packaging, modern, neutral, clean, friendly, functional, legibility, versatility, modernization, clarity, neutrality, geometric, rounded, crisp, open, balanced.


Free for commercial use
Customize the font name

This sans-serif presents a largely geometric build with smooth, round bowls and consistent, even stroke presence. Curves are clean and near-circular in letters like C, O, and Q, while straight strokes terminate with flat, squared ends. Proportions feel balanced and contemporary, with generous apertures in forms such as e, c, and s, and a straightforward, non-calligraphic rhythm. Lowercase shapes are simple and legible, with a single-storey a and g, compact shoulders, and clearly separated counters. Numerals are clear and sturdy, matching the same rounded/straight construction and maintaining strong readability in text.

It suits interface copy, product branding, and general-purpose typography where clean outlines and predictable forms help scanning. The open shapes and simple construction also work well for signage and short editorial passages, especially at medium sizes where the rounded geometry stays crisp and readable.

The overall tone is modern and matter-of-fact, aiming for clarity over personality. Rounded geometry gives it a mildly friendly feel, while the restrained detailing keeps it professional and utilitarian. It reads as dependable and contemporary rather than expressive or decorative.

The font appears intended as a contemporary, general-purpose sans that prioritizes straightforward legibility and a cohesive geometric system. Its restrained detailing and balanced proportions suggest a focus on versatility across headlines and text rather than a niche stylistic statement.

The design maintains consistent curvature logic across uppercase and lowercase, with smooth joins and minimal contrast. Letterforms avoid quirks: punctuation and dot forms appear round and uncomplicated, and the figures sit comfortably alongside the capitals without calling attention to themselves.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸