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Free for Commercial Use

Sans Normal Lulig 6 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Delargo DT' and 'Delargo DT Infant' by DTP Types, 'Maxima Now Pro' by Elsner+Flake, 'Conqueror Sans' by Letterhead Studio-YG, 'NeueType' by NicolassFonts, 'Belle Sans' by Park Street Studio, 'Quebec Serial' by SoftMaker, and 'Adora Compact PRO' and 'Adora Normal PRO' by preussTYPE (names referenced only for comparison).

Keywords: headlines, posters, branding, sportswear, packaging, sporty, punchy, friendly, modern, energetic, impact, momentum, approachability, display, oblique, rounded, soft corners, compact counters, heavy terminals.


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A heavy, oblique sans with broad proportions and rounded, slightly squared-off curves. Strokes are uniformly thick with low modulation, producing dense interiors and compact counters, especially in bowls and round letters. The italic slant is consistent and gives a forward lean without introducing calligraphic contrast; joins and terminals stay blunt and sturdy. Uppercase forms read as robust and geometric, while lowercase keeps simple, single-storey shapes and a straightforward rhythm that favors impact over delicacy.

Best suited to short, high-impact settings such as headlines, posters, brand marks, product packaging, and sports or event graphics. It can also work for bold UI accents, pull quotes, and large-format signage where the oblique stance and sturdy shapes enhance momentum and visibility.

The overall tone is energetic and assertive, with a friendly softness from the rounded geometry. Its forward slant and substantial weight suggest motion and confidence, giving it a sporty, promotional feel rather than a formal or editorial one.

The design appears intended to deliver maximum presence with a smooth, contemporary character: a bold, forward-leaning sans optimized for attention-grabbing display typography. Its rounded geometry and uniform stroke weight aim for approachable strength and a cohesive, modern rhythm.

At larger sizes the chunky curves and tight apertures create a strong silhouette, while at smaller sizes the dense counters and heavy joins may reduce internal clarity. Numerals match the letterforms in weight and curvature, reinforcing a cohesive, headline-oriented voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸