Sans Superellipse Oflof 3 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Masifa' and 'Masifa Rounded' by Hurufatfont, 'Burger Honren' by IRF Lab Studio, 'Beni' by Nois, and 'TT Bluescreens' by TypeType (names referenced only for comparison).
Keywords: headlines, posters, branding, sports, packaging, industrial, punchy, retro, sporty, posterlike, compact impact, display utility, logo shapes, signage clarity, retro cueing, condensed, rounded, blocky, compact, sturdy.
A condensed, heavy sans with a rounded-rectangle (superellipse) construction and blunt, softened terminals. Strokes stay essentially monoline, producing dense, even color and a compact rhythm. Counters are small and tightly enclosed; round letters like O/C/G read as squarish ovals, while verticals dominate the silhouette. Lowercase forms are tall and narrow with minimal modulation, and numerals follow the same compact, blocky geometry.
Well-suited for headlines, posters, and prominent callouts where a compact footprint and high visual weight are beneficial. It can work effectively for branding, sports-themed graphics, packaging labels, and signage that needs a sturdy, attention-forward sans with softened edges.
The overall tone is bold and utilitarian, with a friendly softness from the rounded corners. It evokes vintage athletic and industrial labeling aesthetics—confident, straightforward, and designed to hit hard at a glance.
The design appears intended to deliver maximum presence in a narrow measure while keeping a cohesive, rounded-rectilinear personality. Its consistent monoline construction and compact counters suggest a focus on bold display impact and repeatable, logo-friendly shapes.
Because of the tight apertures and condensed proportions, the font’s impact is strongest at display sizes, where its uniform weight and rounded-square structure become a defining graphic texture. The design maintains consistent geometry across letters and numerals, supporting strong headline rhythm and predictable spacing.