Sans Superellipse Ogref 2 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Neusa Neu' by Inhouse Type; 'Posterman' by Mans Greback; 'Hornsea FC' by Studio Fat Cat; 'Interrupt Display Pro' by T4 Foundry; 'Flankers Austin' by The Native Saint Club; and 'Bikemberg', 'Morozko', and 'Raskolnikov' by Umka Type (names referenced only for comparison).
Keywords: posters, headlines, sports branding, signage, packaging, industrial, sporty, assertive, retro, utilitarian, impact, compactness, uniformity, display, condensed, blocky, rounded corners, square-counters, compact.
This typeface uses compact, condensed proportions with heavy, monolinear strokes and tightly controlled curves. Many forms are built from rounded-rectangle geometry, producing squarish bowls and counters with softened corners rather than true circles. Terminals are generally flat and squared-off, and interior apertures are small, giving the letters a dense, punchy texture. The rhythm is consistent and mechanical, with minimal modulation and a sturdy, engineered silhouette across both uppercase and lowercase.
This font is well suited to headlines, posters, and title treatments where a dense, high-impact word shape is desirable. It can work effectively for sports branding, industrial or tech-themed graphics, and signage that benefits from a sturdy, condensed footprint. It is also a strong choice for packaging or labels that need bold emphasis in limited horizontal space.
The overall tone is bold and no-nonsense, with an industrial, poster-like presence. Its rounded-rectilinear construction reads as modern and technical while also recalling retro athletic and signage lettering. The compact density and blunt terminals convey strength and urgency more than elegance or delicacy.
The design appears intended to deliver maximum visual impact in a compact width, using rounded-rectangle construction to keep forms consistent and highly graphic. Its restrained detailing and blunt terminals prioritize clarity and strength, aiming for a bold display voice that remains orderly and repeatable across letters and numerals.
Uppercase forms are especially uniform and vertical, while the lowercase maintains simple, closed shapes with straightforward joins and minimal detailing. Numerals follow the same squared, compact logic, staying highly graphic and consistent in color. The design’s small counters and tight apertures suggest better performance at larger sizes where the interior space can remain clear.