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Free for Commercial Use

Solid Gaka 4 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'Antry Sans' by Mans Greback, 'Fact' by ParaType, and 'Masserini' by Studio Sun (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, event flyers, playful, retro, chunky, quirky, punchy, maximum impact, novelty display, retro flavor, silhouette focus, rounded, blocky, compact, ink-trap, geometric.


Free for commercial use
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A heavy, compact display face built from blunt geometric masses, with rounded outer curves paired against crisp flats and angled cuts. Counters are frequently minimized, closed, or reduced to notches, creating a solid, poster-like silhouette and a stenciled feel in places. Terminals tend to be squared-off, while bowls and shoulders are swollen and smooth, producing a strong black presence. Spacing appears tight and the rhythm is intentionally irregular, with noticeable shape quirks across letters and figures that emphasize silhouette over internal detail.

Best used large for headlines, posters, logos, and packaging where a dense, high-impact texture is desirable. It can also work for short callouts, titles, and event graphics, especially when you want a playful, retro display voice. Because many counters are collapsed, it is less suited to long text or small sizes where internal letter clarity is critical.

The overall tone is bold and mischievous, leaning into a retro, cartoonish energy. Its filled-in forms and simplified interiors give it a cryptic, attention-grabbing character that feels playful rather than formal. The uneven, cut-and-carved detailing adds a handcrafted, novelty flavor suited to expressive headlines.

The design appears intended to maximize silhouette impact through filled-in counters and simplified, sculpted shapes, creating an unmistakably bold display texture. Its carved facets and rounded block forms suggest a deliberate novelty aesthetic aimed at attention-grabbing branding and punchy editorial titles.

Several glyphs show deliberate cut-ins and wedges that read like built-in ink traps or carved facets, helping distinguish characters despite the reduced counterspace. The numerals follow the same solid, sculpted approach, maintaining a cohesive blocky texture in mixed alphanumeric settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸