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Free for Commercial Use

Solid Gahe 12 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Muller Next' by Fontfabric, 'Avanti' by Glowtype, 'Allotrope' by Kostic, 'Karmaline' by Mysterylab, 'Flyer SB' and 'Flyer SH' by Scangraphic Digital Type Collection, and 'Sans Beam' by Stawix (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, stickers, playful, retro, punchy, quirky, poster-like, attention, branding, decorative, impact, quirk, blocky, geometric, stencil-like, chunky, ink-trap-like.


Free for commercial use
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A heavy, compact display face built from chunky, mostly geometric forms with rounded outer curves and crisp, squared terminals. Many counters are reduced to narrow slits or pinched notches, creating a near-solid silhouette and a distinctive “carved out” rhythm, especially in letters like A, B, e, and s. Strokes stay broadly consistent in thickness, with tight internal spacing and small apertures that emphasize mass over readability. The lowercase is simple and sturdy, with single-storey a and g and short, blunt details; figures follow the same dense, cut-in construction.

Best suited to short, high-impact text such as posters, headlines, logo wordmarks, packaging, and merchandise graphics. It can also work for labels and playful branding where a dense, graphic texture is desired, but it is less appropriate for long passages or small sizes due to the compressed openings and heavy color.

The overall tone is bold and attention-grabbing, with a playful, slightly mischievous character. Its near-solid interiors and pinched cutouts give it a toy-like, retro display feel that reads as graphic and decorative rather than neutral.

The design appears intended to maximize visual impact through a near-monolithic silhouette while retaining letter recognition via consistent internal cutouts. It prioritizes a bold graphic texture and a distinctive novelty motif over conventional readability, aiming to create immediate brandable presence in display settings.

The most recognizable feature is the repeated use of small, inward bites and notches that act like built-in counters, producing a consistent decorative motif across uppercase, lowercase, and numerals. Spacing appears tight and the dark color dominates, so the font’s personality comes through best at larger sizes where the internal cutouts remain visible.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸