Sans Other Obsy 5 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Jawbreak' and 'Outlast' by BoxTube Labs, 'Kolesom' by Frantic Disorder, 'Mexiland' by Grezline Studio, 'Herchey' by Ilham Herry, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).
Keywords: posters, headlines, logotypes, packaging, game ui, industrial, arcade, brutalist, techno, poster, display impact, industrial tone, geometric construction, tech branding, blocky, angular, squared, stencil-like, compact.
A heavy, block-built sans with squared curves, hard corners, and mostly uniform stroke thickness. Glyphs are constructed from rectilinear segments with frequent chamfered cuts and triangular notches, producing a faceted, mechanical silhouette. Counters tend to be small and often squarish, and joins are crisp with minimal curvature, giving the design a dense, modular rhythm. The overall texture is tight and assertive, with strong verticals and broad horizontal bars that read clearly at display sizes.
Best suited for posters, headlines, signage, and branding where strong presence matters more than long-form comfort. It can work well for game titles, tech-themed graphics, packaging, and label systems that benefit from a rugged, modular look. For maximum clarity, use at medium-to-large sizes and allow a bit of tracking when setting dense lines.
The font conveys a rugged, industrial energy with an arcade-like, techno edge. Its angular cuts and compressed counters create a tough, utilitarian tone that feels engineered rather than calligraphic. The result is attention-grabbing and slightly aggressive, suited to bold messaging and high-impact branding.
The design appears intended to deliver a highly distinctive, constructed display sans that feels mechanical and bold. Its chamfered corners and notched details prioritize character and impact, creating a recognizable voice for titles and graphic-led typography.
Distinctive wedge cuts appear in several letters and numerals, adding motion and a custom, constructed feel. Uppercase forms read as geometric and monolithic, while lowercase maintains the same block logic, keeping the voice consistent across case. The numerals share the same squared counter treatment, supporting cohesive titling and labeling.