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Free for Commercial Use

Sans Other Obba 6 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Ultimatum MFV' by Comicraft, 'Massiva GrotesQ' by Dawnland, 'Heavy Duty' by Gerald Gallo, 'Angulosa M.8' and 'Maiers Nr. 8 Pro' by Ingo, 'Midfield' by Kreuk Type Foundry, and 'Stallman Round' by Par Défaut (names referenced only for comparison).

Keywords: headlines, posters, logotypes, game ui, album art, industrial, arcade, aggressive, techno, poster, impact, tech aesthetic, ruggedness, display clarity, angular, geometric, blocky, condensed joins, stencil-like.


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A heavy, block-built sans with sharply angled cuts and squared counters that create a rugged, faceted silhouette. Strokes are consistently thick with minimal modulation, relying on hard notches, chamfered corners, and occasional split stems to form internal structure (notably in shapes like M/W). Counters tend to be small and rectangular, and terminals often end in blunt flats or diagonal chops, producing a compact, punchy rhythm in text. Numerals and capitals maintain the same industrial geometry, with distinctive cut-ins and straight-sided forms that emphasize mass and stability.

Best suited for headlines, posters, and identity work where impact and a techno-industrial attitude are desired. It also fits game UI, esports/team marks, and packaging or signage that benefits from a bold, stamped look. Use larger sizes or generous spacing to keep counters from filling in visually.

The overall tone is forceful and mechanical, evoking arcade titles, sci‑fi interfaces, and stamped industrial labeling. Its sharp corners and carved-in apertures give it a gritty, action-forward feel that reads as tough, energetic, and slightly retro-digital.

The font appears designed to maximize visual impact through dense, geometric letterforms and a consistent system of angular cutaways. Its construction suggests an intention to feel engineered and modern, while nodding to retro arcade and industrial vernacular.

In longer lines, the tight apertures and frequent diagonal cutaways create a busy texture that favors display sizes over small text. The design’s recurring chamfers and internal splits provide strong brandable distinctiveness, especially in all-caps settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸