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Free for Commercial Use

Sans Other Kyne 1 is a very bold, very narrow, low contrast, upright, tall x-height font visually similar to 'Table Wood JNL' by Jeff Levine (names referenced only for comparison).

Keywords: headlines, posters, logos, signage, packaging, industrial, stencil-like, western, tough, retro, impact, ruggedness, poster tone, brand stamp, angular, chiseled, notched, compact, blocky.


Free for commercial use
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A compact, heavy display sans built from tall, rectilinear forms with sharply cut corners. Strokes read as largely uniform in thickness, with frequent chamfered and notched terminals that create a chiseled, stencil-adjacent feel without fully breaking strokes. Counters are small and often squarish, and many glyphs show purposeful asymmetries or cut-ins that add texture while maintaining a consistent vertical rhythm. The overall construction favors strong verticals and simplified bowls, producing dense word shapes and high visual impact at larger sizes.

Best suited to short, prominent settings such as posters, punchy headlines, logotypes, labels, and bold signage where its cut, blocky shapes can read as intentional character. It can work for branding in industrial, motorsport, craft, or heritage-leaning themes, and for titles that need a rugged, stamped presence.

The notched, beveled silhouettes evoke utilitarian signage and rugged, workmanlike lettering, with a secondary hint of old-time poster and frontier-inspired display type. It feels assertive and a bit theatrical—designed to look loud, stamped, and durable rather than refined or delicate.

The design appears intended to deliver maximum impact with a compact footprint, using chamfers and notches to add distinctive personality while keeping the underlying letterforms straightforward and highly repeatable. The result prioritizes strong silhouette recognition and a gritty display tone over typographic neutrality.

The set maintains a consistent angular motif across caps, lowercase, and numerals, with the lowercase closely echoing the uppercase structure for a unified, headline-driven tone. In longer lines, the tight internal spaces and distinctive cut-ins can create a dark, textured color that benefits from generous tracking and clear size hierarchy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸