Sans Other Obse 15 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Bulltoad' by Typodermic (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, sports graphics, industrial, rugged, playful, stencil-like, poster-ready, impact, display, hand-cut feel, signage, attitude, blocky, angular, chamfered, compact, uneven rhythm.
A heavy, block-built sans with angular geometry and widespread chamfered corners that create a cut-out, almost stencil-adjacent feel. Strokes are monolinear and dense, with squared counters and simplified interior spaces that keep forms compact and graphic. Many glyphs show subtly irregular, slightly skewed edges and uneven verticals that introduce a hand-cut rhythm rather than strict mechanical precision. The lowercase is sturdy and tall, with minimal curves and a deliberately rugged silhouette; numerals match the same chiseled, modular construction.
Best suited to posters, headlines, branding marks, merchandise, and packaging where strong shapes and a rugged voice are desirable. It also fits sports graphics, game titles, and event signage that benefits from a bold, cut-out look. Use larger sizes or generous spacing when clarity is needed in denser text.
The overall tone is tough and emphatic, mixing industrial signage energy with a playful, comic-book roughness. It reads as bold, attention-seeking, and a bit rebellious—more “cut from tape” than “drawn with a pen.” The texture created by the chamfers and slight irregularities adds attitude and motion, keeping large setting from feeling static.
This font appears designed to deliver maximum impact through blocky forms and chamfered cuts, evoking hand-cut lettering and utilitarian signage. The slight irregularity suggests an intention to feel energetic and tactile rather than perfectly geometric. Overall, it’s built for display use where character and punch matter more than neutrality.
The design prioritizes silhouette strength over inner detail, so counters can feel tight at smaller sizes. The angular cuts are consistent across capitals, lowercase, and figures, which helps headlines and short words look cohesive. In longer text blocks, the uneven rhythm becomes a noticeable stylistic feature rather than a neutral reading texture.