Sans Superellipse Feman 1 is a very bold, narrow, low contrast, italic, normal x-height font visually similar to 'AG Book W1G' by Berthold, 'Area' by Blaze Type, 'Newhouse DT' by DTP Types, 'Fester' by Fontfabric, 'Gevher' by Hurufatfont, 'Latino Gothic' by Latinotype, and 'Opinion Pro' by Mint Type (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, promotions, sporty, assertive, urgent, modern, loud, impact, speed, compactness, display clarity, brand punch, compact, rounded, slanted, blunt, punchy.
A compact, heavy slanted sans with broad, rounded-rectangle curves and blunt terminals. The forms are tightly fit and slightly condensed, with low stroke contrast and a consistent forward lean that creates strong directional rhythm. Counters are relatively small for the weight, and curves tend toward superelliptical ovals rather than geometric circles, giving round letters a flattened, sturdy feel. Overall spacing reads dense and headline-oriented, with sturdy, simplified joins and minimal detailing.
Best suited to short, high-impact typography such as headlines, poster copy, campaign lockups, sports and fitness branding, packaging callouts, and promotional graphics. It can also work for bold UI moments (badges, tabs, emphasis) where a compact, energetic slanted voice is desired, but it is less ideal for extended reading due to its dense color.
The tone is forceful and energetic, combining athletic urgency with a contemporary, no-nonsense voice. Its slant and weight make it feel fast and emphatic, suited to messaging that needs to read as confident, bold, and attention-seeking rather than quiet or refined.
The design appears intended to deliver maximum impact in a compact footprint: a heavy, forward-leaning sans with rounded-rectangular geometry that stays crisp and sturdy at display sizes. The consistent low-contrast construction and blunt endings prioritize loud, fast legibility and a modern, athletic character.
Round letters like O/Q and numerals show squared-off curvature and compact internal space, reinforcing the chunky, engineered feel. Diagonals in A/V/W/X and the strong slant help keep large text dynamic, while the dense texture can become visually heavy in long passages.