Sans Normal Jubid 1 is a bold, normal width, medium contrast, italic, tall x-height font visually similar to 'Gullying' by Din Studio, 'Altersan' by Eko Bimantara, 'Famiar' by Mans Greback, 'Akwe Pro' by ROHH, and 'NuOrder' and 'Syke' by The Northern Block (names referenced only for comparison).
Keywords: headlines, branding, posters, sports, packaging, sporty, assertive, modern, energetic, friendly, emphasis, impact, motion, modernity, slanted, rounded, high-contrast, clean, dynamic.
A slanted sans with heavy, smoothly contoured strokes and rounded internal spaces. Letterforms are compact and sturdy with a pronounced forward lean, tapered joins, and gently softened corners that keep the texture cohesive at larger sizes. Curves are full and circular, while diagonals in A, K, V, W, X, and Y create a strong, kinetic rhythm. Numerals match the lettering with robust weight and simple, readable shapes, including a distinctly angled-top 4 and open, rounded counters throughout.
This face is well suited to short, high-impact text such as headlines, posters, campaign graphics, and brand marks that need a sense of speed and strength. It can also work in packaging or promotional layouts where a bold italic voice helps establish hierarchy, especially in larger display sizes.
The overall tone is energetic and confident, combining a sporty urgency with a clean, contemporary polish. The forward slant and dense color give it a sense of motion and emphasis, while the rounded construction keeps it approachable rather than severe.
The design appears intended as a modern display sans that delivers emphasis through a strong italic posture and rounded, geometric construction. Its proportions and stroke behavior prioritize visual momentum and immediate legibility for attention-grabbing typography.
Capitals feel broad and stable, while lowercase forms stay compact with a tall x-height that supports punchy, headline-like setting. Counters and apertures are generally open for a bold italic, and the spacing appears tuned for tight, impactful lines. The design reads best when allowed generous size and leading, where its slant and weight can do the work.