Hollow Other Wohy 4 is a bold, wide, very high contrast, upright, normal x-height font.
Keywords: headlines, posters, packaging, kids, logo, playful, whimsical, novelty, retro, party, distinctiveness, playfulness, texture, display impact, novel branding, chunky, rounded, decorative, speckled, cutout.
A heavy display face built from chunky, mostly monoline silhouettes with rounded corners and simplified geometry. The defining feature is an irregular pattern of internal knockouts—small circular and blobby cutouts that pepper the strokes and counters, creating a high-contrast black/white texture inside each glyph. Uppercase forms lean toward compact, geometric construction (notably O/C/G), while several lowercase letters show softer, single-storey shapes with a friendly, bulbous rhythm. Terminals are generally blunt, curves are full, and spacing feels open enough to keep the interior cutout pattern readable.
Best suited to short, prominent text where the interior knockouts can be appreciated: headlines, posters, event promos, stickers, packaging, and playful brand marks. It can also work for children’s materials or casual display typography, but it’s less appropriate for long passages where the internal texture may compete with readability.
The all-over punched texture gives the font a festive, crafty feel—like confetti, bubbles, or cheese-hole perforations—so it reads as lighthearted and attention-seeking rather than formal. Its bold silhouettes keep it punchy at a distance, while the irregular cutouts add a quirky, handmade energy that suggests playful retro signage and novelty packaging.
The design appears intended to deliver a bold, friendly display voice while differentiating itself through irregular hollowed detailing. The consistent heavy outlines ensure strong presence, and the cutout pattern supplies a distinctive decorative signature for attention-grabbing applications.
Because the cutouts vary in size and placement, letterforms maintain a consistent silhouette while gaining an animated, speckled interior texture. The texture is most prominent in large, round shapes (O, Q, 8) and becomes more linear in narrow stems (I, l, t), so very small sizes may reduce the effect to noise while larger sizes emphasize the pattern.