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Slab Contrasted Tyju 14 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Bogue' and 'Bogue Slab' by Melvastype (names referenced only for comparison).

Keywords: posters, headlines, branding, packaging, signage, confident, rugged, vintage, poster-ready, athletic, high impact, heritage feel, display clarity, print texture, blocky, bracketed, ink-trap-like, soft corners, compact counters.


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A heavy, block-forward serif with pronounced slab terminals and subtly bracketed joins that soften the overall mass. Strokes show noticeable modulation: verticals read sturdier while curves and connecting strokes taper, giving the letters a carved, press-like feel rather than a purely geometric build. Counters are relatively compact and apertures tend to be tight, which increases color and impact. Details such as the curved tail on the lowercase “a”, the sturdy ear on “g”, and the slightly notched/indented interior shaping on several forms add character and a faintly woodtype-inspired texture. Numerals are equally weighty and rounded where needed, matching the bold, grounded rhythm of the alphabet.

Best suited to display applications where bold texture and presence are assets: posters, large headlines, brand marks, labels/packaging, and signage. It can work for short editorial callouts or pull quotes, but longer passages will generally need careful spacing and size to maintain clarity.

The font projects an assertive, no-nonsense tone with a nostalgic, workmanlike edge. Its chunky slabs and softened bracketing evoke traditional printing and signage, while the strong weight and tight counters create a loud, headline-first personality. Overall it feels dependable and energetic—more “heritage poster” than “quiet editorial.”

The design appears intended to deliver maximum impact with a classic slab-serif foundation, combining sturdy slabs with subtle contrast and softened joins to avoid a purely rigid, mechanical feel. Its distinctive shaping suggests an aim to reference traditional print or woodtype aesthetics while staying clean and legible in modern layouts.

At large sizes the design’s distinctive inner shaping and tapered curves become a key feature, lending a slightly rugged texture. In dense settings the heavy color and compact counters can feel tight, so it benefits from generous tracking and leading when used in longer lines.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸