Sans Superellipse Utgiw 1 is a bold, very wide, monoline, upright, normal x-height font visually similar to 'FF QType' by FontFont (names referenced only for comparison).
Keywords: headlines, logos, branding, posters, packaging, techy, futuristic, industrial, sporty, confident, modernize, differentiate, signal tech, maximize impact, rounded, squared, geometric, extended, stencil-like.
A geometric sans built from rounded-rectangle (superellipse) contours, with broad proportions and a consistent, even stroke. Corners are generously radiused and bowls tend toward squared-off ovals, giving counters a clean, machined feel. Terminals are mostly flat and horizontal/vertical, while diagonals (A, K, V, W, X, Y) are crisp and straight, creating a strong angular contrast against the softened curves. Several forms show deliberate cut-ins and open joins—most notably in S and the numerals—adding a subtle segmented, techno rhythm without breaking overall solidity.
Best suited to headlines and large typographic applications where its wide, rounded-square forms and segmented details can read clearly. It works well for tech branding, sports or esports identities, product names, packaging, and UI-style hero text; in dense paragraphs it may feel heavy and expansive, making it more effective as a display face than a text workhorse.
The font reads as contemporary and engineered, with a display-forward energy that suggests electronics, interfaces, and performance branding. Its wide stance and rounded-square geometry convey stability and confidence, while the small cut details add a slightly aggressive, sci‑fi edge.
The design appears intended to deliver a modern, technology-leaning voice through superelliptical geometry, wide proportions, and minimal stroke contrast. The added cut-in details seem purposeful for creating a distinctive, industrial signature while keeping letterforms sturdy and highly legible at display sizes.
Digit shapes echo the same rounded-rect logic as the letters, with clear, blocky silhouettes and distinctive openings that help separation at larger sizes. The lowercase maintains the same geometric system as the uppercase, leaning toward single-storey, simplified constructions that prioritize consistency and impact over calligraphic nuance.